![]() ![]() ![]() In 1969, Foster called up Kristofferson with the song title idea with the hook that Bobby was a woman. “He was so intelligent, so gifted, so talented and he didn’t sound like anybody I had ever heard,” Foster said. After hearing some of his songs, Foster said he would only hire Kristofferson as a songwriter if he also signed a record deal. He had been trying to break through as a songwriter, even working as a janitor in a Music Row recording studio. Kristofferson was one of Foster’s newest hires, a Texas-born athlete and Army veteran who loved William Blake. “It seemed like he liked to tease me a little bit and one day he said, ’I am going to write a song about me and Bobbie McKee,” Eden said. I think you’re coming to see Bobbie,’” Foster said. “So I ran down about the fourth or fifth time this particular day and Boudleaux says, ‘I don’t think you’re coming to see me at all. McKee, whose last name is now Eden, was a 29-year-old working as Bryant’s secretary and went by the nickname Bobbie. In the 1960s, Foster moved his record label Monument Records from Washington, D.C., to Tennessee in a building owned by his friend and songwriter Boudleaux Bryant. Foster helped launch the careers of artists like Kristofferson, Roy Orbison, Willie Nelson and Dolly Parton. ![]()
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